Dynaudio Contour 60 Loudspeakers
- Written by: Jeff Fritz
- Category: Full-Length Reviews
My colleagues at SoundStage! have accused me of being a by-the-pound guy. There’s some truth to that. By any reasonable standard, my speakers have always been heavy, and so have the amplifiers that have driven them. For the most part, heavy gear is just a fact of life in ultra-high-end audio. The upper-end speaker models from Magico, Rockport, Wilson, et al., have always been heavyweights. Same goes for amps -- the Boulders, Gryphons, Soulutions, etc. With these companies, I always knew that the fact that they made their products with heavier materials and parts was a good thing: lots of bracing inside speaker cabinets, and big power supplies inside amps, were what we were told made great sound possible. It meant you were getting your money’s worth.
Joan Osborne: "Songs of Bob Dylan"
- Written by: Joseph Taylor
- Category: Recording of the Month
Womanly Hips WHRC001
Format CD
Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****
Although Joan Osborne has written her share of good songs, she has from the beginning shown a talent for sensitive interpretations of work by others. Relish, her 1995 breakthrough, included tunes by Bob Dylan and Sonny Boy Williamson, and her strong feel for classic soul and blues was obvious on How Sweet It Is (2002), Breakfast in Bed (2007), and Bring It on Home (2012).
VAC Signature 200iQ Stereo Amplifier
- Written by: Garrett Hongo
- Category: Full-Length Reviews
When I was a kid growing up in the pre-statehood Hawaiʻi, three generations of my family would spend each Sunday night after dinner watching The Ed Sullivan Show from New York, a magical city an ocean and an entire continent away from our islands. On the stage of CBS Studio 51, in the Maxine Elliott Theatre, at Broadway and 39th Street, all manner of clowns, comedians, magicians, and musicians would cavort and play, inspiring us provincials into laughter, tears, or quiet admiration. Besides the big stars -- the singers and actors of the day -- there were novelty acts like the Spanish ventriloquist Señor Wences with his talking, lidded box; the Little Italian Mouse, Topo Gigio, a hand puppet that bantered with the host; and Borscht Belt comedians galore who kept us in stitches.
Jeff's Getting a New Stereo System: Part Three
- Written by: Jeff Fritz
- Category: Opinion
The Dynaudio Contour 60 loudspeakers had just landed in the Music Vault and the Soulution 711 stereo amplifier was on its way out the door. A second set of speakers, the TAD ME-1 compact standmounts, were inbound. I had an amplifier lined up for review that would have given me a smooth transition from the Soulution, but, as often happens with these things, that shipment was delayed. Now my concerns were that there’d be a gap between power amps, and that I was running the risk of changing so much in my system in so short a period of time that I would muddy the waters of which outswapping of gear had caused which change in the sound.
Synergistic Research Galileo UEF Speaker Cables, Interconnects, and IFT Jumpers
- Written by: Howard Kneller
- Category: Full-Length Reviews
One of the first makers of audiophile cables, Golden Enz, began business in the 1970s. With conductors of ordinary electrical-grade copper and connectors of gold-plated nickel, Golden Enz cables now seem archaic. However, they were undoubtedly better than the lamp-cord wire then available at the local RadioShack.
Charles Lloyd New Quartet: "Passin' Thru"
- Written by: Joseph Taylor
- Category: Recording of the Month
Blue Note B002681502
Format: CD
Musical Performance: ****1/2
Sound Quality: ***1/2
Overall Enjoyment: ****
Last year, tenor saxophonist and flutist Charles Lloyd released I Long to See You, a quintet recording with guitarists Bill Frisell and Greg Leisz; it was challenging and musically satisfying, but still accessible. His new disc on Blue Note, Passin’ Thru, is credited to the Charles Lloyd New Quartet, though this group -- pianist Jason Moran, bassist Reuben Rogers, and drummer Eric Harland -- has played together since 2007. The quartet lineup and approach are more traditional than on I Long to See You, but the music is bracing and alive, crackling with energy and creativity.
Mytek Digital Brooklyn DAC-Phono Stage-Preamplifier-Headphone Amplifier
- Written by: Vade Forrester
- Category: Full-Length Reviews
Mytek Digital has been a pioneer in digital audio reproduction. Their Stereo192-DSD was one of the first DACs capable of playing DSD files, and their Brooklyn was one of the first non-Meridian DACs to play Meridian’s new Master Quality Authenticated (MQA) files.
MQA is a system of encoding audio files that its developer, Meridian Ltd. (MQA Ltd. has since been spun off as a separate company), claims sounds better than such high-resolution encoding methods as DSD and DXD, while resulting in file sizes much smaller than those formats. The small files mean that MQA encoding can be used to stream hi-rez audio over standard Internet connections -- and indeed, Tidal is currently streaming MQA files. I’ve seen Tidal stream files of resolutions up to 24-bit/352.8kHz, and I understand that MQA can handle up to 768kHz.
Jeff's Getting a New Stereo System: Part Two
- Written by: Jeff Fritz
- Category: Opinion
Some of you guys might remember Randall Smith, who wrote for the SoundStage! sites from 2006 to 2013. He reviewed a lot of home-theater gear, but also integrated amplifiers from the likes of Simaudio and Boulder, speakers from companies as varied as KEF and Rockport Technologies, subwoofers from JL Audio, and a source component from Esoteric. He accompanied me to Maine to pick up the Rockport Arrakis speakers that formed the heart of The World’s Best Audio System 2009, and has been to Canada to tour the R&D facilities of Paradigm and Axiom Audio. He’s helped schlep countless speakers and amps into my Music Vault listening room, a space he helped construct in 2006. (Randall lives only minutes away from me.) In short, Randall has not only been around the high-end industry, he’s been my friend and accomplice in my own audio adventures.
Moon by Simaudio Evolution 860A Stereo Amplifier
- Written by: Jason Thorpe
- Category: Full-Length Reviews
I’m a sucker for the double-down solid-state power amp. But to explain what this means and why it’s important to me I need to start about 30 years ago.
While I’ve always been passionate about home audio, I used to be rabid about car audio, and three decades ago I became very good friends with Colin Kay, owner of Autoworks Car Audio, here in Toronto. Colin introduced me to such esoteric concepts as tube monoblock amplifiers and external DACs (this was about the time Audio Alchemy pioneered the affordable DAC). He also infected me with Mobile Bass Disease.
Dion: "Kickin' Child: The Lost Album 1965"
- Written by: Joseph Taylor
- Category: Recording of the Month
Norton ED-411
Format: LP
Musical Performance: ****
Sound Quality: ***1/2
Overall Enjoyment: ****
In 1965, Dion DiMucci had been with Columbia Records for three years and had scored some hits for the label, including “Ruby Baby” and “Donna the Prima Donna.” He was already an established rock’n’roll star when Columbia signed him, but the label’s long-term plan was to move him away from rock and into a career as a crooner. As Scott Kempner points out in his excellent liner note for Kickin’ Child: The Lost Album 1965, a collection of 15 previously unreleased Dion tracks, record executives in the early ’60s still thought rock’n’roll was something that would soon fade away.
- Esoteric K-05X SACD/CD Player/DAC
- Jeff's Getting a New Stereo System: Part One
- Audio Physic Codex Loudspeakers
- The Beatles: "Sgt. Pepper's Lonely Hearts Club Band: Super Deluxe Edition"
- Furutech FI-50 NCF Series Power Connectors and FP-TCS31 Alpha PC-Triple C Bulk Power Cord
- The Failure to Compare
- Vivid Audio Giya G1 Spirit Loudspeakers
- The Flying Burrito Brothers: "The Gilded Palace of Sin"
- Audio Research Foundation DAC9 Digital-to-Analog Converter
- The Myth of Continual Improvement
Page 41 of 48
SoundStage! Ultra is part of
All contents available on this website are copyrighted by SoundStage!® and Schneider Publishing Inc., unless otherwise noted. All rights reserved.
This site was designed by Rocket Theme, Karen Fanas, and The SoundStage! Network.
To contact us, please e-mail info@soundstagenetwork.com